#Guitarcenter yamaha montage 6 software#

The Super Knob can be assigned to a second FC7 foot controller, making it easy to manipulate the sound when playing with both hands. With the Super Knob you can ceate dynamic sound changes by controlling multiple parameters simultaneously, which provides a wide open palette for sound creation and sound behavior.Īs an example, you can change your listening position from right in front of an instrument to in the back seat of a concert hall, or you can change the character of a Performance from atmospheric and mellow to rhythmic and edgy. You can capture and recall a MONTAGE Performance within a DAW project, transfer MONTAGE Performance Recordings to DAW project via drag-and-drop, load and save MONTAGE bulk files ('.X7B'), and organize MONTAGE Performances as VST3 Presets in the Cubase Media Bay/Sound Browser (Cubase only).

#Guitarcenter yamaha montage 6 software#

On the computer side is MONTAGE Connect, a free VST3/AU plug-in and standalone PC/MAC application that integrates MONTAGE with popular DAW software like Cubase, Logic, Live!, Studio One, Reaper, ProTools and others. Released in September 2016, the version 1.2 iteration offers you MONTAGE Connect, a free VST3/AU plug-in and standalone PC/MAC application that offers user arpeggio creation, performance recorder loop playback, separate USB connection monitor volume setting and Super Knob control via MIDI CC message. One of the great advantages of any Yamaha product is their relentless design team, which routinely issues model upgrades and improvements. With Motion Control, you can create new sounds that were not possible possible on previous hardware synthesizers. The Motion Control Synthesis Engine is a programmable control matrix for creating deep, dynamic and expressive sound. Yamaha is due WRT MIDI 2.0 and Montage is intended to be a studio's centerpiece that integrates with everything.In their new flagship keyboard, the MONTAGE, Yamaha debuts the Motion Control Synthesis Engine, which combines and controls two iconic sound engines: AWM2 (high-quality waveform and subtractive synthesis) and FM-X (modern, pure Frequency Modulation synthesis.) These two engines can be freely zoned or layered across eight parts in a single MONTAGE Performance. Addition of MIDI 2.0 is the only detail that I'm willing to predict.

I expect Yamaha to revert to its mean, AKA incremental evolution consistent with its historical practice. Montage already has a tour-quality build, FSX keybed (aftertouch), more capable audio streaming/processing, built-in power supply, pure analog circuit, balanced TRS and so forth. Thus, I expect Yamaha to create just enough functional distance above MODX+ to justify the higher price of 'new Montage'. MODX+ established a little too much parity with Montage. Readers here are knowledgeable and know the gory details. The MOs trailed behind the current MOTIF rev. Each revision added some voices/performances and some additional workflow functionality. Please consider the historical progression through MOTIF: MOTIF begat ES begat XS begat XF.

Some aspects of this discussion are getting on my elderly nerves.Īh, yes, the 'second coming.' Didn't we go through this hysteria last summer with MODX -> MODX+? Unabated anticipation followed by complaining 5 minutes after the drop.

I grouched at some innocent soul on a different forum.